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Folk literature --- Themes, motives.

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Ein schier unerschöpflicher Erfindungsdrang zeichnet das umfangreiche Œuvre des Architekten Karl Schwanzer (1918-1975) ebenso aus wie die Liebe zum Handwerk und die Wahl der Materialien. Was bleibt von seinen Werken? Was ist verschwunden? Wie verändert sich die Bausubstanz im Lauf der Jahre? Stefan Oláh hat sich auf diese Spurensuche begeben. Als Architekturfotograf hält er das Gegenwärtige der Bauten fest, Jahrzehnte nach ihrer Errichtung: Nahsichtige Ausschnitte verdichten die Haltung des Architekten im Bild. Die Präzision der farbigen Großbildaufnahmen korrespondiert mit Schwanzers raffinierter Gestaltung. So versteht sich der Band als visueller Kommentar zu seinem baukünstlerischen Schaffen, das auch Entwürfe für Möbel umfasst. The extensive oeuvre of the architect Karl Schwanzer (1918-1975) is characterized by a near inexhaustible inventiveness as well as a love of the crafts and carefully selected materials. What remains of his work? What has disappeared? How does the fabric of buildings change over time? Stefan Oláh has taken up the trail in search of the architect's work. As architectural photographer he captures current details of buildings-many years after their construction: close-ups serve to illustrate the architect's design approach. The precision of the large color photographs corresponds to Schwanzer's clever designs. The book is intended as a visual commentary on his creative designs, which include buildings and furniture.

Karl Schwanzer. --- Schwanzer, Karl --- Themes, motives. --- Themes, motives

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"Since 1970, Manitoba artist Don Proch has built an astonishing body of work evoking a semi-mythical Prairie past and an unsettled and unresolved modernity. In his complex sculptures and life-size masks, Proch combines intricate draftsmanship with natural and found materials in surprising and transformative ways. Proch grew up in the farmland of north-central Manitoba. Using the rolling hills and unique parkland vistas of the Asessippi valley he creates a complex personal iconography based on prairie life, landscape, geology and history. The result is what art critic Robert Enright called "inexplicable as a miracle." Proch first came to the Canadian art world's attention as part of a group of radical young artists in the 1970s, intent on shaking up the art establishment. His complex installations, masks, and silkscreen prints quickly established his reputation as an innovator with a unique vision. Today he is recognized as one of the most influential visual artists to come out of western Canada, and his work can be found in major public and corporate collections including Canada's major art galleries. Richly illustrated with more than 80 plates, the book includes rare excerpts from Proch's notebooks that reveal his intricate working process. Surveying the course of Proch's career, curator and art historian Patricia Bovey discusses the themes and influences behind his work and their context within the history of Canadian art."--

Artists --- Proch, Don --- Themes, motives.

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Metamorphosis in art. --- Arts, German --- Arts, German --- Fables, Latin --- Surrealism --- Themes, motives. --- Themes, motives. --- Themes, motives. --- Ovid,

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Ce volume intitulé Mind Control est consacré aux relations entre les expérimentations artistiques et les techniques de conditionnement psychologique au cours de la période contemporaine (XIXe-XXIe siècles). Il analyse la culture visuelle d'œuvres d'art qui jouent sur la reprise, le contre-pied, le déplacement voire l'instrumentalisation de divers protocoles mis en place dans les laboratoires de psychologie. Entre suggestion et hypnose, test comportemental et images subliminales, parasitage et lavage de cerveau, ce numéro croise des objets, des discours et des dispositifs d'influence très variés, de l'art de la publicité au cinéma expérimental, du « design pédagogique » à la vidéo, de la « musique d'ameublement » à la performance, jusqu'aux réseaux sociaux les plus récents, pour interroger les stratégies de persuasion et de contrôle dans nos sociétés contemporaines et le rôle des pratiques artistiques dans leur mise à distance ou leur détournement critique. Cet ouvrage, préparé sous la direction de Pascal Rousseau, est le onzième volume de la collection Histo.Art, présentant les travaux de l'École doctorale Histoire de l'art de l'université Paris 1 Panthéon-Sorbonne.

Art, Modern --- Psychology and art. --- Themes, motives.